Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: October 1, 2026 - Last updated: October 1, 2026

TITLE INFORMATION

Author: Andrea Schlosser

Title: Specters of the Past

Subtitle: Transgenerational Memory in Miriam Katin’s Graphic Memoirs We Are On Our Own and Letting It Go

Journal: Genealogy

Volume: 4

Issue: 2

Year: June 2020 (Received: March 21 2020, Accepted: April 20, 2020, Published online: April 23, 2020)

Pages: 18 pages (PDF)

eISSN: 2313-5778 - Find a Library: WorldCat

Language: English

Keywords: Modern History: 20th Century, 21st Century | American History: U.S. History | European History: German History, Hungarian History, Russian History | Representations: Comics / We Are on Our Own



FULL TEXT

Links:
- Academia.edu (Free Access)

- Dokumentenrepositorium der RUB (RUB-Repository) (Free Access)

- MDPI (Multidisciplinary Digital Publishing Institute) (Free Access)

- RessearchGate (Free Access)



ADDITIONAL INFORMATION

Author: Academia.edu, ORCID

Abstract: »This paper thematizes the topic of the eyewitness report based on Miriam Katin’s transgenerational point of view on the Holocaust, which has a cathartic impact on the author through self-reflexivity. In We Are On Our Own, Miriam Katin draws on her own cultural and transgenerational memory, which is heavily influenced by her mother. The author unveils her parents’ story and elaborates on how she, as the child of Holocaust survivors, has dealt with the atrocities of the Holocaust throughout her life. In her second memoir, Letting It Go, Katin expands this point of view and not only addresses the Holocaust from the view of the second generation, but adds another layer to dealing with the Nazi past, namely the point of view of the third generation. Accordingly, it is through Katin’s son, Ilan, that Miriam learns not to encounter Berlin stereotypically and embittered anymore. Modern day Berlin welcomes Katin and her family with open arms and is not comparable with the former capital of National Socialism anymore. Therefore, both graphic memoirs can be regarded as a process of coming to terms with the trauma of the Holocaust through the technique of self-reflexivity.« (Source: Genealogy)

Contents:
  Abstract (p. 1)
  1. Introduction (p. 1)
  2. Graphic Memoirs (p. 3)
    2.1. We Are On Our Own (p. 3)
    2.2. Letting It Go—Or, Reconciliation (p. 11)
  3. Conclusions (p. 16)
  References (p. 18)

Wikipedia: History of Europe: History of Germany / Nazi Germany | History of Europe: History of Hungary / Hungary in World War II | History of Europe: History of Russia / History of the Soviet Union | History of the Americas: History of the United States | Comics: American graphic novelists / Miriam Katin | Genocide: The Holocaust / The Holocaust in Hungary | Sex and the law: Sexual violence / Sexual violence during the Holocaust